HIGH MEADOW

Joan Wolf

Warner

February 2003

0-446-61043-7

Contemporary

 

Daniel Montero, believing himself unable to father a child, is thrilled to learn that he has an eight year old son.  Determined to have a life with his child, Daniel goes to Connecticut to meet the child who lives with his aunt, Kate Foley.  Kate has been raising her sister’s son since her sister’s death several years ago.  She loves Ben as any mother would.  When Daniel comes barging into their lives she feels threatened, but she can’t deny that Daniel is the father.  

Working out an agreeable arrangement is vital, and with Daniel’s pitching career and Kate’s horse farm sometimes things get a bit tough.  Especially when Kate and Daniel start to have feelings toward one another.  Kate is naïve and for most of her life all she thought about were horses, not boys.  What is she to make of Daniel’s feelings?  How does she know that he loves her and that it wouldn’t be convenient for them to marry for Ben?  

HIGH MEADOW is an emotional story that is all about the characters.  Kate is dedicated Ben, her mother, and her horses.  That’s it.  When Daniel comes along her world starts changing and she doesn’t like it.  The story goes from one character’s perspective to another character’s perspective and sometimes can come across as meandering.  At times the internal dialogue seems monotonous and rambling, not offering any pertinent information.  The romance was good, but I found myself more interested in the secondary romance having to do with Kate’s mom, Molly, and with Molly’s battle with cancer.  

The descriptive settings made the story seem to come alive, as did the internal dialogue that I mentioned above.  I’ve talked to myself before bedtime and why shouldn’t the characters in a book?  It was just odd to read all of the internal dialogue in a romance, where I’m used to action instead of words.  

 

Reviewed by Thea Candee

Rating:  

 

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