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This
month, The Romance Reader's Connection is pleased to
present an
interview with Joyce Sullivan, author of the
Collingwood Heirs series for
Harlequin Intrigue.
Melissa: Welcome Ms. Sullivan! I know from visiting
your website that you
were a private investigator before you became a
published author. I am
fascinated to know how you got started as a P.I.
Also, could you share with
our readers what initially prompted you to make the
career change from P.I.
to an accomplished writer of romantic suspense?
Joyce: I studied criminal justice at California
State University, Long
Beach with an emphasis in Security Administration.
My first job out of
college was with a security and investigations
company. Part of my
administrative duties included supervising the
private investigators. I
would often look at their case files and say,
"Why don't you try this?" My
boss noticed I had a natural aptitude for
investigation and suggested I
become a licensed private investigator and tackle
some cases myself.
Melissa: What kind of cases did you work on as a
PI?
Joyce: Primarily missing children
investigations--only custodial
abductions, not stranger abductions. I discovered I
had an aptitude for
this kind of case because in custodial abductions
someone in the abducting
parent's family KNOWS where the child is and isn't
telling. My challenge
was to learn so much about the abductor's family and
friends and find a way
to infiltrate their lives and gain their confidence.
We will tell
strangers on the bus, in the mall, on the beach, in
our fitness class, very
personal information that we will not tell our best
friend or other family
members. I was usually THAT stranger or I would
develop a ruse to get the
information by some other means. The trick to
developing a successful ruse
is research and thoroughly backgrounding the people
in the abductor's life.
Mitch in OPERATION BASSINET approached Riana
Collingwood's abduction as if she were taken by
someone known to the family i.e. someone who wanted
to punish Ross Collingwood.
I also did locates (finding people for various
reasons usually having to do
with probating wills) and some undercover work.
Companies or individuals
having a problem, would hire me to go in and find
out what was really
happening.
Melissa: Do you miss doing PI work?
Joyce: I'm a PI everyday when I'm writing! I not
only get to make up the
cases, but I plant all the clues and the red
herrings. And so far I have
had a one hundred percent success rate, which can
only happen in fiction!
Melissa: What do you like most about writing for
the Harlequin Intrigue
line?
Joyce: I love the challenge of placing characters in
situations in which
falling in love is the most dangerous thing
emotionally that they can do.
They are not only battling external forces of evil,
but internal forces,
too.
Melissa: On your website you state that the
inspiration for the Guardian
and his island fortress is the Boldt Castle located
in the Thousand Island
region of the St. Lawrence Seaway. What was the
inspiration for the
circumstances surrounding the Collingwood Heirs in
the beginning of each
story?
Joyce: To be a writer, you have to be a good
listener. A good observer.
I like connecting with people, learning about their
lives and the choices
they've made. Their regrets. I watch talk shows
where people share their
life experiences. All this "information
gathering" feeds my muse and the
storyteller within. Sometimes I will feel a chill or
a contracting pain in
my chest when I hear something and it's like my
storyteller has reached out
and grabbed the pain or lesson of that experience
and starts pondering,
"What if ....?"
In the case of THE BUTLER'S DAUGHTER (Harlequin
Intrigue #722), I was
talking to a woman I greatly admired about the guilt
she feels over her
brother's death. I won't break her confidence over
the details of the
incident, but her father never hugged her, never
showed her any emotion
because he blamed her for what happened. This woman
never confronted her
father about his feelings. That's how THE BUTLER'S
DAUGHTER was born. I
wondered, "Why would a heroine put her life on
hold and risk her life to
care for this baby?" And the answer was guilt.
She did it because her
father asked her to and she wanted to win back her
father's love. So many
of our actions everyday are guided by guilt. Juliana
had a lot to learn,
she had to admit her needs to both her father and
the hero to escape being a
passive participant in life.
OPERATION BASSINET (Harlequin Intrigue #726) grew
out of THE BUTLER'S
DAUGHTER. I had to create a scenario for what
happened to that first baby
and the plots between both books had to be
connected. Since I worked on
many missing children investigations, as a mother
and a private
investigator, my heart was solidly in Stef's
predicament. How could we
choose between a child of
our body and a child of our heart? The challenge of
that book was finding a
happy ever after ending that felt credible to the
reader. That's why Hunter
and Juliana play such a strong role in book two. If
Hunter had never met
Juliana and learned about love and sacrifice, he
would not have been able to
make the choice he did at the end of the story.
I had hoped to write a third book for the series
about Hunter's sister
Brook, her three-year-old son and her ex-husband who
are taken hostage on
Brook's 30th birthday in her family's flagship hotel
in NYC. The hotel is
featured in the other books. The hero is stripped
naked and put on trial
for his life in front of a news camera by the
villain. To me it was a
fascinating situation, dissect a painful marriage
and heal it, and figure
out how the hero and heroine would discover the
villain's identity and
rescue themselves, their son and 30 other hostages
before the villain
punished the hero for his crimes by executing the
heroine. But alas, the
powers that be thought I was pushing the envelope
too far for Intrigue
readers. If any of you want to write letters and beg
for a third book, hey,
I'm okay with that. <g>
Melissa: Your website provides a great deal of
advice for fledgling
authors, you are also a writing instructor with
Algonquin College, in your
experience, what is the number one mistake writers
make in their quest to be
published?
Joyce: Not analyzing the line or market they want to
write for. If you
want to write an Intrigue, read Intrigues, study
them, and learn what kind
of plots are popular.
Melissa: What was the last book you read for
pleasure? Has there been any
one author who has influenced your writing the most?
Joyce: Alexander McCall Smith's, "Morality for
Beautiful Girls." My mother
shared it with me. It's about the No. 1 Ladies'
Detective Agency in
Botswana. There were a lot of fascinating and simple
truths in that book.
I can't honestly say that there has been any one
author who has influenced
my writing the most. I think everything I've ever
read has influenced me.
It's very rare that I "toss a book" aside.
I'm more likely to keep reading
and analyze why the publisher bought this story. A
good story has thousands
of components. The trick is learning what your
strengths are and playing to your strengths.
Melissa: With respect to your writing, what
character or book are you most
proud of, so far? What book has been the most
difficult for you to write?
Joyce: I'm most proud of URGENT VOWS (Harlequin
Intrigue #571). The
counterfeit expert who inspired me to create Quinn
McClure (the counterfeit
expert hero) told me that the technical aspects of
the story were so
well-crafted that the Royal Canadian Mounted Police
could use it as a manual
for investigating counterfeit crimes. I think the
stakes are higher in the
story when the reader knows you've made an effort to
create a credible
storyworld.
The most difficult book I've ever written is THE
BABY SECRET (Harlequin
Intrigue #546), January 2000. It was a book about
the kidnappings of
executives in family-owned corporations across
Canada. There were a number
of victims, including the hero, and keeping all the
kidnapping stories
straight and making sure that each story revealed
one more clue as to the
perpetrators was a real challenge.
Melissa: What can readers expect to see from you in
the future?
Joyce: HER ROYAL BODYGUARD, which will be an
Intrigue release in June 2004.
It's a princess-in-training story and a departure
from the traditional
tone of an Intrigue because it's a romantic comedy.
But I was fascinated by
the concept of what it would be like to suddenly
find out you were a
princess. I'm sure every woman on earth fantasized
about being Princess
Diana. I've put the heroine a bookish surf diva
under tremendous pressure.
Not only is she a princess, but she is being forced
into marriage to the
prince of the neighboring country. You can dress up
a woman in beautiful
clothes and jewels, but you can't hide her true
nature. That is a woman's
jewel. So how do you shine when the world is telling
you how to dress, how
to behave, and every gaffe you make is headline
news?
(Click
here for a review of OPERATION BASSINET)
(Click
here for a review of THE BUTLER'S DAUGHTER)
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